Ms. Schnittker, tall and precise, appeared first and offered a clear rendition of the solo.

— Gia Kourlas’s review of performances of a canary torsi’s NANCY at The Beat Festival in 2013.

I also found myself relishing the moments when these bodies communicated on their own terms. I recall... Kirsten Schnittker performing an unrelenting petite allegro in silence, sweating, breathing harder and harder. The set-up was intended by Portnoy as a commentary, but as she kept going, her dance exceeded its intended message...

— Abigail Levine’s reflections on American Realness 2018

American Realness Discourse


Huffington Post

Musings From Inside Midtown Window: 13 Performances in 13 Days

The New York Times

Where Choreography Can Be Thoroughly Intense or Wholly Nonexistent

The Dance Enthusiast

The Roger Smith Hotel Presents Dance /Season 2: RoofTop/GroundFloor